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Last spring on its MySpace page, the Brooklyn experimental rock band Parts & Labor asked fans to send sound samples to put on the group's new album. Parts & Labor used every single one, often blurring the line between instruments and samples.

Music critic Ken Tucker reviews Fearless the second studio album by country-music singer/songwriter Taylor Swift. It debuted as number one on Billbaord's Top Country Music Albums.

Though the Congolese music known as soukous was Africa's biggest pop-music style in the '70s and '80s, it only reached the U.S. in bits and pieces. But a new anthology by the musician known as Franco goes a long way toward completing the puzzle.

On the 400th anniversary of the birth of John Milton, fans around the world are celebrating with literary events, exhibits and readings of Milton's famous epic poem, Paradise Lost.

One of the best years for kids' music in recent memory includes releases from artists with feet firmly in both kid-friendly and adult-oriented worlds. Old favorites went in new directions, while emerging artists gave a glimpse of the future of a genre as diverse and unpredictable as kids themselves.

On their first recording together in more than 50 years, saxophonist James Moody and pianist Hank Jones show that the elder statesmen of jazz can still play beautifully. Our Delight displays the golden virtues of jazz with warmth and grace.

Singer Emmylou Harris says a 33-year-old housewife named Kitty Wells turned both country music and the country on its head with "It Wasn't God Who Made Honky Tonk Angels." With that song, Wells captured the tensions of the time and paved the way for more female musicians.

Classical music critic Lloyd Schwartz reviews a new CD of Scott Wheeler's opera, based on a hymn to Boston by the New York poet Kenneth Koch. The disc captures a live performance by the Boston Cecilia choral society.

Rock critic Ken Tucker offers up his top 10 lists of the best albums and singles of 2008.music. Here's his look at some of his own favorites.

McCartney and Youth returned to work as The Fireman for their third and latest release together, Electric Arguments. McCartney entered the studio, without any material, and recorded 13 songs in 13 days. The legendary artist reveals how his alter ego allows him the freedom to experiment.