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House passes stopgap bill to avoid government shutdown
This is the third stopgap spending bill to keep the federal government afloat since October.
Sounds of Philadelphia: Cameo and Parkway Records
Rock historian Ed Ward tells us about Philadelphia's Cameo and Parkway record labels. From the late 1950s to the late-'60s, their hits included "The Twist," "South Street" and "Bristol Stomp." ABKCO Records has just released a Cameo-Parkway four-CD retrospective.
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Bob Feldman's 'Triplicity'
Jazz critic Kevin Whitehead reviews Triplicity, from tenor saxophone player Bob Feldman.
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Bob Newhart, an Unbuttoned 'American Master'
Alex Chadwick chats with legendary comedian, writer and actor Bob Newhart, who will be profiled in a career retrospective airing Wednesday night on PBS.
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'Fantastic Four' Director Tim Story
Tim Story directed just two feature films before he landed the plum assignment to take on Fantastic Four The thirty-something director talks about growing up in Los Angeles and creating his first movies when he was 12 years old.
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Amy Rigby's 'Little Fugitive'
Critic Ken Tucker reviews Little Fugitive, the new CD from Amy Rigby.
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Jarmusch Features Murray in 'Broken Flowers'
NPR's Bob Mondello reviews Jim Jarmusch's new movie Broken Flowers. It stars Bill Murray, who plays a modern Don Juan.
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Gritty, Heartwarming 'Hustle & Flow'
A Memphis pimp with a midlife crisis tries to make it as a rapper in Hustle & Flow, a film featuring the prodigious acting talents of Terrence Howard. He spent nearly two years researching a role that he initially did not want to accept.
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Harry Connick Jr.
New Orleans native Harry Connick Jr. first made his mark as a musical prodigy, recording his first songs at age 9. He has returned to New Orleans to lend a helping hand with hurricane relief. (This interview was first broadcast on June 21, 1988.)
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New Documentary Revisits Emmett Till's Lynching
The new documentary The Untold Story of Emmett Louis Till revisits the events leading to the 14-year-old's lynching in Mississippi 50 years ago. Director Keith Beauchamp and Till's cousin, Simeon Wright, tell Ed Gordon about the film.
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