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  • How do we perceive time? How do we form and retrieve memories? Alain de Botton, author of How Proust Can Change Your Life, tells Linda Wertheimer how the French novelist might answer such philosophical questions.
  • Madea's Family Reunion grossed more than $30 million in its opening weekend at the box office. The movie's writer, director and co-star, Tyler Perry, talks with Ed Gordon about the lure of his main character, an outspoken black woman.
  • After Hurricane Katrina, New Orleans theaters were shuttered, jazz clubs went silent and museums and galleries were locked up. The city's artists scattered across the country. They are starting to return but are finding that making art in New Orleans is a different experience.
  • The documentary follows three African-American students who get the opportunity to attend an academically rigorous school in Kenya designed to give them a path out of the violence and poverty of inner-city Baltimore.
  • Classics commentator Elaine Fantham describes what life was like in Alexandria, home to Marc Antony and Cleopatra, among others. Its brief period of glory left a distinctive legacy that is finding new currency with scholars.
  • Fears of an #Oscarssowhite redux go largely unfounded in this year's acting nominations, and the actress categories provided some real surprises. The battle for best picture will be fascinating.
  • Race and politics add to the tension of a detective's search for a kidnapped child in Freedomland, starring Samuel L. Jackson and Julianne Moore. The film's screenplay was written by Richard Price; the story is based on his novel of the same name.
  • The Academic Film Archive is working with the Library of Congress to make a worldwide database of all the old educational movies it can find. And in St. Louis, in an effort to preserve these classic 16-mm movies, a group is holding monthly screenings of films like The Living Soil, which was produced by Shell Oil Company in the 1960s to extol the virtues of pesticides. Matt Sepic of member station KWMU reports.
  • Joan Graves, MPAA board chair is the only member of the board that the MPAA does not keep anonymous. Graves responds to some of the contentions in Kirby Dick's documentary, This Film is Not Yet Rated.
  • Nell Minow, who writes the "Media Mom" movie review column for the Chicago Tribune, talks to Renee Montagne about movie ratings. She says the association that assigns ratings like PG and PG-13 for films doesn't do an adequate job. Minow says parents should judge movies for themselves.
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