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  • This was a big year for jazz musicians who focused on their small groups. Their really, really small groups.
  • Hendrix spent years recording with whomever he could before being discovered and whisked off to London. A new Legacy box set, West Coast Seattle Boy, showcases Jimi Hendrix as sideman to a number of musician. Rock historian Ed Ward takes a look at it today.
  • Conductor James Levine is known for bringing out the best in musicians and ensembles. Here, he reflects on his 40-year tenure with the Metropolitan Opera, his life in music and the back troubles that recently led him to step down as the musical director of the Boston Symphony Orchestra.
  • Gilmore travels back to the 1930s for inspiration on his forthcoming album, Heirloom Music. The Texas singer talks about his songs and his performance at the 2011 South by Southwest music festival.
  • Over the course of 40 years, Iggy Pop has changed from a noisy brat with seemingly no chance at stardom to a widely respected founder of punk. A new box set, Roadkill Rising, collects many of his unreleased concert bootlegs.
  • After years spent playing with a backing band or collaborating with other artists, Harper returns with a resolutely solo recording called Give Till It's Gone.
  • New Orleans singer and accordionist Amede Ardoin made some of the earliest zydeco recordings. Those rare 78 RPM discs have been collected and remastered on a new compilation.
  • The band formed in 1997 and quickly gained attention in its adopted hometown of Austin, Texas. On a new album, its members honor their idol Bob Wills, "The King of Western Swing."
  • The vocal duo's new album, Bright Morning Stars, isn't necessarily religious, but it is spiritual. Dead Rock West covers some old-time gospel music, redemption-minded blues and bass-stomping revival numbers.
  • Collins was the leader of the 1980s post-punk band Orange Juice. In 2005, he had two cerebral hemorrhages and doubted whether he'd ever make music again. But now he's back with his seventh solo album, Losing Sleep, which Ken Tucker says addresses the singer's past with "bracing clarity."
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