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Troy Davis, who was convicted of murdering a police officer in 1989, has been on death row for 17 years. Davis has always denied his guilt — and seven of nine prosecution witnesses have since recanted their testimony. The Supreme Court's denial to hear Davis' appeal clears the way for his execution.

Local Colombian music permeates the soundscapes crafted by the band Aterciopelados. But what gives the group's music its universal appeal is something less tangible: a quality of dry-eyed optimism that proves both persuasive and reassuring in these troubled times.

Bishop first journeyed to Chicago in 1960 in search of the blues. Still active after 45 years, the legendary bluesman just released a new album, The Blues Rolls On, featuring B.B. King, Derek Trucks, Warren Haynes and George Thorogood playing classic blues tunes.

Brooklyn's TV on the Radio has always been a forward-thinking rock band. Its new album, Dear Science, is its funkiest, but in a typically complicated way. Sick of living with pessimism, the band has brightened its tunes and beats.

The Grammy-nominated singer-songwriter's new album, Little Wild One, tackles the subjects of post-Sept. 11 New York City and motherhood. Osborne discusses the record and how her new appreciation of New York helped provide the inspiration.

Reggae music has gone a lot of places over the years, from minimalist dub to culture-warring dancehall. Almost 40 years on, Spear still hews to the reggae basics: a deep, easy groove; brassy R&B flavorings; and a mystical take on history. His new CD is Jah is Real.

The third album from the William Parker Quartet is named Petit Oiseau, after a character in a poem written by Parker. Jazz critic Kevin Whitehead assesses whether the album — whose French title translates to "Little Bird" — takes flight.

There probably isn't a major symphony orchestra in the U.S. — or abroad — that hasn't played the music of John Adams. His distinctive sound has made Richard Nixon sing and won a Pulitzer Prize. His new autobiography, Hallelujah Junction, reveals an American composer's history.

For many, the autoharp is remembered as the slightly geeky, easy-to-play instrument from grade-school music class, or as simple accompaniment for folk and country singers. But Basia Bulat, who sings and plays the autoharp on Oh, My Darling, hopes the time has come for people to discover the beauty and potential in the instrument.

The singer's 1973 hit has been covered more than any of her other songs. She says it remains popular in part because of how universal it is: Everyone relates to the singer's sense of inadequacy.