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Feufollet is one of several young Cajun bands trying to preserve tradition, add its own sounds and reach a new generation. The group has been doing that for a decade, even though most of its members are still in college.

Ljova is wired like an independent musician, in spite of his old-school instrument. He Skypes. He blogs. He posts music on Facebook and YouTube. And he composes by playing his viola into the computer, overdubbing and improvising the parts as he goes.

In a new book, authors Roger Bennett and Josh Kun detail American Jewish history through vinyl albums. They are trying to answer questions such as, "Who are we?" and "What are we inheriting?" in what Bennett calls the "beginning of a journey."

Conor Oberst says he's not deliberately thinking about fleeing home — but it keeps coming up in his songs. He's written about a road trip, the healing powers of the road and escape. For his latest album, which is self-titled, he recorded on the grounds of a vacant hotel in Mexico.

Relatives can be an important ingredient to a successful Thanksgiving. Classical music commentator Miles Hoffman points out some important musical relatives of Mozart, Bach, Schumann and Mendelssohn.

For musicians just a decade ago, radio was the only way to make it big. The Internet has changed that. Artists like City and Colour can build an audience by sending out their music over various networks. But in a crowded online world, just putting it out there isn't enough.

Activist and singer Odetta has died. When you talk to some of the most famous singers in America, they'll tell you she inspired the way they sing. One moment she'd grimace like something was hurting. Then suddenly Odetta would smile. And you'd melt.

Her bandmates have called her the best player in their group. But Nelson is content to hunker down in front of her piano, hidden by her cowboy hat. She had to be tricked into recording her solo debut.

Part alt-country, part indie-rock, the band Delta Spirit burst onto the stage this year with its debut album Ode to Sunshine. The album is packed with serious messages set to pop riffs, thrown together with everything but the kitchen sink, including the occasional percussive trash can lid.

For more than 40 years, Tom Jones has been strutting his stuff across the stage. Now, at 68, he's got a new album called 24 Hours, his first U.S. studio disc in more than 15 years. It combines big-band sounds with catchy beats, occasionally suggestive lyrics and a booming voice.